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In Jean-Luc Godard's critically acclaimed film "2 or 3 Things I Know About Her" (1967), the director tackles themes of consumerism, prostitution, and the commodification of women in post-war France. The story centers around Juliette (played by Marina Vlady), a housewife living with her husband and two children in a high-rise apartment. As she navigates the challenges of domestic life, Juliette finds herself increasingly disillusioned with the monotony of her existence. With financial struggles mounting due to the rising costs of consumer goods and services, Juliette turns to prostitution as a means of supplementing her family's income. Throughout the film, Godard employs his signature style of fragmented narrative and observational realism to explore Juliette's experiences. We see glimpses into her daily life, from her mundane household chores to her encounters with clients in cramped hotel rooms or on isolated street corners. Meanwhile, Juliette's husband, Yves (played by Roger Scully), remains oblivious to her nocturnal activities, stuck in his own world of mediocrity. As Juliette navigates the seedy underbelly of Parisian nightlife, Godard critiques the societal pressures that drive women into the sex trade. The film raises questions about the objectification of women, the commodification of their bodies, and the devastating consequences of this objectification on their mental and physical well-being. At the same time, "2 or 3 Things I Know About Her" is also a scathing critique of consumer culture and its impact on French society. Godard's camera pans across the city, capturing images of gleaming skyscrapers, bustling streets, and trendy boutiques – all symbols of the rapidly changing urban landscape. Through Juliette's story, Godard offers a poignant commentary on the struggles faced by women in this new era of consumerism. As she navigates her way through the complexities of prostitution, marriage, and motherhood, Juliette embodies the contradictions of a society torn between tradition and modernity.

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