The Taking of Pelham One Two Three
เรื่องย่อ
The Taking of Pelham One Two Three is a 1971 American crime thriller film directed by Joseph Sargent. The movie follows Walter Garfield (Robert Shaw), a New York City cop, as he attempts to rescue hostages taken by a group of armed men led by Mr. Blue (Robert Duvall) and Mr. Grey (Hector Elizondo) on the Pelham One Two Three subway train. The film takes place in real-time, with the entire story unfolding over the course of an hour and 40 minutes. The hijacking begins when Mr. Blue, a mastermind, and his team of robbers take control of the train, demanding a ransom of $1 million from the city authorities. If their demands are met, they will release all the hostages unharmed. As the situation unfolds, Garfield, who is on his day off, receives a call from his captain about the hijacking and decides to join forces with a young detective named Rocco Bonino (Bobby Hopkins) to try and rescue the hostages. The two detectives work together to track down the hijackers' every move, using surveillance cameras and communication devices to monitor their progress. Meanwhile, the hijackers are portrayed as cold-blooded professionals who are willing to do whatever it takes to get away with their plan. They are well-armed, well-trained, and have a deep understanding of the city's subway system. As the standoff continues, Garfield and Bonino face numerous challenges in trying to outsmart the hijackers and save the hostages. The film is known for its gripping suspense, clever plot twists, and strong performances from its cast. The movie's use of real-time adds an element of urgency and tension, making it feel like a ticking time bomb waiting to explode. Overall, The Taking of Pelham One Two Three is a classic crime thriller that showcases the best of 1970s cinema.
รีวิว
Paisley
This gripping thriller expertly crafts tension as it delves into the complex web of a subway hijacking. With an intriguing plot twist, the cat-and-mouse game between the hijackers and authorities keeps viewers on the edge of their seats. As the story unfolds, it raises important questions about the feasibility of such a daring escape.
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